The Loneliness of the Long-Distance Writer #16

10th May 2012
Blog
4 min read
Edited
8th December 2020

So, as promised, a brief report on the local launch of Grosse Fugue at Waterstones Hampstead last Thursday.

A beginning and the end

So, as promised, a brief report on the local launch of Grosse Fugue at Waterstones Hampstead last Thursday.

Of course, I have nothing to judge it against and am wary of the plaudits of a sympathetic audience. But, suffice to say, the general verdict was very positive. My publishers were happy with the smoothness of the operation and both they and Waterstones were pleased with the number of copies sold and the genial atmosphere.  My speech seemed to go down well and, believe it or not, there’s now a video of it up on YouTube. Those of a nervous disposition are advised to give it a miss.

The bookshop is a tremendous space, on two levels (it used to be a Woolworths aeons ago). We had the upper floor, surrounded by books and much goodwill.  The posters in the window and around the shop and the invitations all added to the branding and sense of occasion. APP decided astutely against any reading (just as well considering that, in addition to having a face for radio I also have a voice for mime) so I was introduced by the Publishing Director and then gave a brief speech about what I was trying to achieve with the book and a few more personal observations.

That was followed by a gratifyingly long queue of people wanting me to sign their book. This was really strange as it cast me in a role for which no preparation was possible. My handwriting is dodgy at the best of times so I’m expecting a number of them to pop down to their local Boots to find out what I actually wrote. It was an exciting day, full of trepidation and excitement, uncertainty and hope.

So here I am, sixteen weeks after this blog series began, a published author with a great-looking book and a photo of me at its launch. The fate of Grosse Fugue is now in others’ hands, a truly strange feeling.

It seems the right time to conclude the weekly Loneliness of the Long-Distance Writer posts. With Bloomsbury’s indulgence I shall, perhaps, pop back from time to time and update you with news and developments, if that would be welcome.

It only remains to thank Writers & Artists for its hospitality and for allowing me to share my thoughts and experiences with you. Primarily, of course, I’m most grateful to everyone who has read this blog and, in particular, to all those who took the trouble to comment. It’s been a pleasure and a privilege to write this series.

In parting, I’d like to revisit the second blog where I expressed the hope that, above all, the blogs would ensure that visitors realised they were not alone. Writing is a lonely business. It is easy to become disillusioned and full of doubt. But we do it because we cannot not. The voice within demands its freedom and we can do little but succumb.

I wish all my fellow writers a safe and successful journey towards that hallowed land where others hear the songs that play inside our head.

Ian Phillips is a freelance writer for businesses whose first novel, Grosse Fugue, is being published by Alliance Publishing Press. Further information is now available at www.alliancepublishingpress.com. The website dedicated to the novel is at www.grossefugue.com and  Ian’s tweeting developments @Ian_at_theWord.

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Comments

Hi Ian.

Listened to your speech on YouTube. It was brave and very good.

I want to thank you for giving up your time to blog, and for having the courtesy to reply to the respondants.

I have enjoyed digesting and responding to the many points raised during your series of blogs.

For you earnest endeavours you deserve a reward. It comes as a piece of good advice, which is not, 'Don't eat yellow snow'

I still have opnions athough I am an unpublished author with no literary expertise.

There is one golden-piece of advice I would give to any want-to-be or new author.

It is to invest about ten pounds in two books from Amazon.

The best of the two books is, Aspects of the Novel by E M Forster of Passage to India, Room with a View and Howards End, fame.

The second is The English Novel by Walter Allen who had numerous posts as a university professor of Englsh and was editor of The New Statesman

Walter Ernest Allen (23 February 1911 – 28 February 1995) was an English literary critic and novelist. He is best known for his classic study The English Novel: a Short Critical History (1954).

You can check out both of the above online.

It wil be money well-spent to whoever else reads this with an interest in being a writer.

I wish you continued success with Grosse Fugue.

Au Revoir.

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Adrian
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11/05/2012

Many thanks, Wanda.

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10/05/2012

Good luck Ian. Keep us all posted!

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10/05/2012