'The prerequisite for me is to keep my well of ideas full. This means living as full and varied a life as possible, to have my antennae out all the time.'
So said Michael Morpurgo when asked by The Guardian to lay out his rules for writing. He's a writer who knows what he's talking about, and this idea - that you have to live life in order to write well - is, I think, vitally important.
I've blogged before on the benefits of travel for writing fiction - emphasizing, I hope, that I mean travel in its broadest sense (that of going to new places and expanding your mind) and not just in an expensive, exclusive way. It's something I really believe - that adventure, the desire to move, to grow, to experience life outside your normal routine, gives your stories life in a way they couldn't have otherwise. Yes, writing takes place in solitude, hunched over a desk, sometimes late at night, but the things you're writing about - where do they come from? All fiction, in the end, springs from the writer's own life. That is why an adventurous spirit can make such a difference, and that is why living a full life matters.
What does that look like, though? Who gets to judge what a full life is, or what counts as an adventure?
You, in the end. Travel doesn't mean leaving your neighborhood, and adventure doesn't mean getting into trouble. Instead, it has to be an attitude, doesn't it? A sense that staying completely still won't quite do; that being content with things as they are might be dangerous; that, turning to Neil Gaiman's Stardust, ‘There are shop boys, and there are boys who just happen to work in a shop for the time being.’
Writers think, and they have a duty to think big.
Matthew Crow, a somewhat relation of mine (we found out we're related, in the way of these things, on Twitter) was celebrating the paperback release of his book a few weeks back, and offered up some of his own writing advice. This one caught my eye:
‘Read Stephen King’s ‘On Writing’ because it’s so good. Do not read any other writing guides. They’re shit. Spend your money on adventures and the like. If you know how to write then all you need is experience. The rest will come naturally.’
If you know how to write then all you need is experience. Isn't that good? Experience is easy to get. You just go out and get it - good, bad, happy, sad. If you're younger, don't assume you understand the world. If you're older, don't assume you've learned all you're going to. Maybe part of being a good writer is choosing to put down the pen and go for a walk, to see what you can see. Maybe researching a novel includes jumping on a train with no real destination - or sitting in the park, instead of at your desk, or going to a new restaurant where you don't know anyone. The details don't have the matter if the actions speak for themselves.
I was meant to spend some time writing one evening a couple of weeks ago. Instead, I decided to go out for a drink with a friend for some catching up. Experience matters, after all. The bar we went to was on fire. The second bar we went to was filled with happy, very drunk people, who wanted to be our friends, and took photos with us, and shared their stories (one woman - name unknown - was excited about the christening of her granddaughter the next morning, and the return of her son from war. It was a bizarre, very people-y night). It's just one example, I know, and I'm sure it sounds like some peoples' idea of a nightmare, but it was gratifying and inspiring and helps make me a better writer, I think, just as much as an evening typing away in the dark ever could.
So, this is my point: writers are the masters of adventure, and the more we embrace it in our own lives, the more life, in turn, we can inject into the worlds we create.
Simon's debut children's novel, Eren, will be published September 2014 by Constable & Robinson, an imprint of Little, Brown. In the run up to publication, Simon has launched Eren Tales, a year-long collaborative project with photographer Brandon Rechten. Learn more at www.erentales.com, or visit Simon's website.
Kate, you won't regret it. You can get cheap second and copies on Amazon.
I agree that experience doesn't have to mean geographical travel, and it doesn't have to (always) cost money. Cost might be measured in time, instead, particularly if you're trying to finish a novel, keep up mortgage payments and look after a family at the same time. Though, I guess that all adds to the experience, too.
I also enjoyed reading Stephen King's On Writing. He is upfront about it being largely narrative and autobiographical, but all of that was written very well. That's in keeping with the advice of many successful authors for aspiring authors to read, read, read.
I will see if I can find second hand copies of some of the other books that Adrian recommended...
Simon, you never know.
I need to finish editing my first novel, hence the music and coffee. The struggle for perfection goes on.