Week Two - how was it for you?
If you recall from my introductory blog, I prefer to write by hand when I create. The week began where I was achieving my word count, but my typing up was lagging behind. By Tuesday I happily caught up, as my goal is to create and type on the same day.
Word count at the end of week two:
29,528
Are you diligently keeping to a certain word count per day or are you writing in longer sessions?
I am keeping to my planned word count per day.
Any change to your writing schedule/habits?
Yes, I am starting earlier in the morning.
Have you managed to incorporate both the romance and mystery in your story?
Yes, I think this is due to the variation of characters I have introduced. Yet characters are not always the kind of people they outwardly depict, so this presents a challenge to me.
What was the best thing you wrote this week? And the most frustrating?
The best thing I wrote is the movement of the story as it progresses and I feel my protagonist is growing from her experiences, easy or hard, as they happen.
The most frustrating thing I wrote this week? The modus operandi with a mystery is that one first has to think of a motive for the bad guy or girl and then accept that this will not be revealed to the reader until the end of the story. In such a case you work backwards. In romance the sequence is chronological to the reader, as it happens (except for backstory).
Do any particular writing challenges present themselves this week?
I have to realize my characters do not belong to me but to my reader who likes to be entertained. I must make them suffer and face more challenges.
Hopes for next week: that my imagination and words flow and I can keep up with my word count effectively.
NaNoWriMo in a nutshell (week two): Makes one discipline oneself.
For more on NaNoWriMo and to follow our other writers, please take a look here.
Thank you Roz!
Janet, it sounds like you're writing this book from the characters outwards, which is great - always a good way to get a three-dimensional story. And I like your observation that you need to give the characters challenges and make life difficult. When I'm honing a plot - or indeed editing - that's one of the questions I constantly ask myself: 'how can I make this worse? Is it as bad as could be?'