How to Hook an Agent - Feb 25

22nd February 2025 9:00am to 1:30pm, Bloomsbury Publishing

Are you writing a book for publication but unsure of how to find an agent? Get the inside track on the submission process from leading UK literary agents at this intimate half-day event in the heart of literary London

Held in the historic surrounds of Bloomsbury Publishing, home to authors including Margaret Atwood, Kamila Shamsie, Benjamin Myers and Sarah J. Maas, 'How to Hook an Agent' is your chance to meet and work with UK literary agents, who will help develop your pitch and offer all of the guidance you and your book need to have the best possible chance of success.
 
The event is designed for writers preparing to embark upon the process of seeking representation, or those looking for pointers after having already queried a number of agents.

Attendees can expect to be placed in small workshop groups, with all agents invited on the day spending time with each group to discuss the role that the agent plays for the writer, trends within the current publishing marketplace, and also offer plenty of practical guidance on how to grab the attention of a prospective agent via the submission package (covering letter, synopsis and opening three chapters).

All writers in attendance will enjoy a ten-minute 'speed-dating' session with an agent, while there will also be opportunities throughout to network with their writing peers.

Schedule

09.00-09.30: Registration and welcome breakfast
09.30-10.15: Seminar 1 - The role of a literary agent
10.20-11.05: Seminar 2 - The covering letter and how to pitch your book
11.15-12.00: Seminar 3 - Is my book ready? The synopsis and opening chapters
12.20-13.30: Agent one-to-one sessions

 

Further speakers to be announced soon!

Speaker profiles
Louise Buckley

Louise Buckley has worked in publishing for well over a decade. She was inspired to enter the publishing industry after completing an MA in Creative Writing and then spent a hugely enjoyable year working as a bookseller for Waterstones, wishing that she could have a hand in publishing books.

After a year working at Dorling Kindersley, she then spent almost five years working in the commercial fiction division at Pan Macmillan, where she published a mix of commercial bestsellers and award-winning authors.

Most recently, she was an Associate Literary Agent at Zeno Agency Ltd. As an agent she represented a roster of commercial and literary fiction, including Anne Griffin’s When All is Said, which spent five weeks at number one in Ireland and sold into 17 territories.

She is delighted to be working with Hannah at Hannah Sheppard Literary Agency.

What Louise is looking for:

Adult fiction 

I would very much welcome submissions from Irish, Welsh and Scottish authors writing upmarket fiction featuring characters that I can’t help but root for. Think Claire Keegan, Louise Kennedy or Jenni Fagan. I am also looking for literary and book-club novels that focus on the underdog, the repressed, the suppressed, especially novels that represent working-class people or children going through difficult circumstances (think Shuggie Bain by Douglas Stuart, My Name is Leon by Kit de Waal or Boys Don’t Cry by FÍona Scarlett).

In commercial women’s fiction: I’d love to see some sagas (for example Lizzie Lane, Rosie Clarke or Rita Bradshaw), rom-coms (favourite authors include Emily Henry, Kirsty Greenwood and the inimitable Mhairi McFarlane), cosy romance in the vein of The Pumpkin Spice Café or with a stunning location like The Riviera House Swap by Gillian Harvey or The Start of Something Wonderful by Jessica Redland, and cosy rom-coms with a Christmas slant along the lines of One Christmas Eve by Shari Low or Christmas at the Village Sewing Shop by Helen Rolfe.

I recently read and loved The Last List of Mabel Beaumont by Laura Pearson and would love to see anything in the same ‘older person going on a journey’ category, a more recent The Unlikely Pilgrimage of Harold Fry. In a somewhat more niche request, I had a lot of fun publishing a ‘pet fiction’ novel when I was an editor (Molly and the Cat Café) and would love to find an author who can write an Alfie the Doorstep Cat/Dog.

I would LOVE to see some cosy fantasy. Think witches, magical bookshops, talking cats. I really enjoyed Legends and Lattes and The House in the Cerulean Sea. I also enjoy novels set in the real world but featuring a hefty dose of magic or the supernatural. They can be commercial or literary, present-day or historical. Think Rivers of London by Ben Aaronovitch, Threadneedle by Cari Thomas, A Discovery of Witches by Deborah Harkness or The Gifts by Liz Hyder.

In crime fiction, I am especially enjoying reading cosy or humorous crime. Recently, I absolutely loved Over My Dead Body by Maz Evans, which had me laughing out loud, utterly gripped and yet with a tear in my eye at the end. If your cosy crime novel features Christmas, then extra bonus points.

When I was an editor I published the hit Luckiest Girl Alive by Jessica Knoll and I’d love to represent incisive, intelligent suspense written by authors such as Jessica Knoll and Gillian Flynn, or something a little more subversive and blackly comic like My Sister, the Serial Killer by Oyinkan Braithwaite. I am not currently looking for police procedurals.

I would love to see some dark academia. Think If We Were Villains or In My Dreams I Hold a Knife. I am also a huge fan of gothic horror, so would love to see something that’s a modern-day Shirley Jackson or Rebecca.

More generally, I would also love to see novels with a disabled protagonist or someone (like myself) who is living with an invisible disability.

Adult non-fiction

In non-fiction, I would love to see any submissions that focus on motherhood, especially through the lens of a scientific or neurological perspective. I am also interested in books in the following areas: health and well-being, cookery and food writing, human and social behaviour and psychology, climate change, gardening and permaculture and nature writing.

Booking & payment

This event is priced at £175 (incl. VAT). This fee is payable in full online, though please note that payment instalment plans are available for all W&A events, writing courses and editing services. Contact W&A Admin on events@writersandartists.co.uk so that we can find a payment schedule that works for you.

If this event is Sold Out, please look out for more How to Hook an Agent dates by visiting our Events homepage. If you would like to be added to the waiting list for this particular event, please email events@writersandartists.co.uk and we'll get back to you as soon as we can.

To view our event refund and cancellation policy, please click here.

Accessible to All

It’s of real importance to Writers & Artists that our events and courses remain accessible to all.

  • This event will take place at the offices of Bloomsbury Publishing, which is fully accessible. If you’d like to attend but have any questions or concerns regarding accessibility, then please email AccessWA@bloomsbury.com
  • Writers & Artists has made one bursary place available for this event as part of our accessibility scheme. Please visit our bursaries page to find out how to apply for a bursary to the event. 
  • Payment instalment plans are available for all W&A events, writing courses and editing services, as part of our accessibility scheme
  • Joining instructions and full guidance will be circulated by W&A Admin in the days leading up to the date of the event.
  • Supplementary materials will be made available to all participants on the day of the event. This will include written text and visuals. Please contact us in advance so that we can make arrangements to be sure all documents appear in a format that works for you.
  • There will be no recording of this event, so please be sure to bring a notebook or laptop to make the notes you need.
  • Food will be provided at this event. Please be sure to respond to the joining instruction emails from W&A Admin if you have any dietary requirements

Location

Bloomsbury Publishing
Bloomsbury Publishing, 50 Bedford Square
London
WC1B 3DP
United Kingdom

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