Critical Mass Ch 1 and 2 rewrite.

by David Shoesmith
2nd October 2015

 

CHAPTER 1

   “We are almost ready Caliph. There will be a thirty-second delay between recording and transmission for us to alter your voice. May I approach?”

Fahim rubbed the back of his neck, and glanced away from the Caliph.

“What’s on your mind, Fahim?”

The Caliph sensed Fahim’s nervousness as he approached.

“You seem troubled my friend.”

“Innocents will die, Caliph. This is not our cause.”

An awkward silence descended on the room. The chatter and clatter of the video technicians stopped as pause enveloped everyone.

The Caliph breathed deeply; not a sigh, more of a valve for the anger rising in him.

“What is an innocent, Fahim, if not our future enemy?”

He reached out his hand and gently, reassuringly grasped Fahim’s shoulder.

“Our cause has faltered under the old ways. We have been splintered when we should be united. I bring new blood, new hope. We will proceed as planned.” He released his tender grip.

“I have known you since you suckled at your Mother’s breast. I have bathed you. Been a Father to you. I don’t wish to see you become a murderer,” said Fahim.

The Caliph impatiently checked his watch. His brow furrowed. He turned and took two steps away from Fahim, dismissively facing away from his friend and confidant. He lowered his head and, in a voice mellowed by disappointment, “I have no Father and I have no need for a substitution. You have been an important part of my past, Fahim, but if you don’t want to witness my future then I will grant your wish. Take him.”

Years of friendship and trust dulled Fahim’s reactions. He was still facing the Caliph’s back as the barbs of the Taser pierced his shirt and hooked into his skin, delivering its debilitating fifty-thousand volt charge. Two of the followers plasti-cuffed his wrists and dragged his writhing body across the grimy concrete floor of the office and into the warehouse.

   The Caliph turned to address the remaining followers.

“Terror bleeds from the mind, not from the wound. We will rip this country’s perceived veil of impregnable safety and security from its blind eyes. Those without the stomach for my destiny will join Fahim in his.”

One of the followers picked up the video camera and cued twenty seconds. The Caliph pulled his black keffiyeh over his mouth, nose and blonde locks leaving only his unblinking and piercing blue eyes to penetrate the deepest fears of those who would watch the transmission.

Throughout the message he placed no demands, only a promise of a new and devastating horror. He ended his delivery with a single word, ‘Dahama’, a word to trigger an imminent threat to a terrified population.

Daylight pierced the darkened room as the Caliph opened the door and bade farewell to his followers. “I leave you now to prepare for the Gateway to fall.”

Before the light was completely shut out by the closing door, the crew set to work preparing the video broadcast equipment. They had done this before. The short transmission contained the familiar hallmarks of previous videos produced by the extremists including the presence of the intimidating, masked figure clad in black combat clothing. He had delivered the message in a British accent, electronically altered while standing before the menacing black flag of their cause, proudly displayed in the background.

   The Caliph glanced indifferently at Fahim’s chained, subdued form, hanging by the wrists from the steel joist, as he walked past and headed out into the crisp Autumn morning. He stood for a moment and watched as the gentle breeze dislodged brittle copper-coloured leaves from the branches of a nearby ash tree, falling helplessly only to be crushed under foot. A fulfilled grin spread across his face as he joined the crowds of London commuters.

 

CHAPTER 2

   October School half-term brought many things, usually the first of the Christmas shopping and the children eating their bodyweight in crisps and sweets. Rarely did it bring a trip to the local accident and emergency unit and a broken wrist.

“Who’s my brave little soldier?”

“Mum, I’m seven, not three.”

“Okay, invincible warrior. Better?”

“’Spose I can live with that.”

‘Where did the years go? Yesterday you were my little baby and now you’re a cheeky little bugger’ she thought.

“Hurts like a bitch, Mum.”

“Josh! I don’t want to hear language like that. Where did you learn that?”

“Ben says it, loads, all the time, and way, way, worse.”

“Well I’ll be having words with your brother when we get home. I don’t want to hear that again, not until you’re at least my age.”

“But that’s ages, I’ll be older than Dad.”

‘Thanks for the reminder, now my own son makes me feel like a cradle snatcher’.

“Okay, sorry Mum. I have pocket money from Gramps, I can get you a double-shot stinky lattee before we buy me stuff for being brave”.

“A stinky Latte would be lovely and yes, you were my hero in hospital. I suppose I can let you off, but no more bad language.”

“Promise,” said Josh as he raised his hand to salute his Mum.

   “There’s a good space Mum, that big Van’s coming out, right by the doors. Yay.”

   Josh’s Mum aimed the Volvo at the space as the van pulled out and gunned the big car nose first towards the white lines. The van driver grimaced at the daring manoeuvre. The occupants of another waiting vehicle were more demonstrative with their hand signals. Josh’s Mum smiled at them and straightened the car up.

“Sick,” said Josh.

   With one coat arm on and the other flung over his shoulder, Josh stepped out of the car as his Mum held open the door.

“Let me zip that up, honey, it’s freezing,” said his Mum as she pulled up his hood and zipped up his bright orange padded jacket.

“Now I look like one of them traffic cone thingys”

“But a nice and toasty traffic cone”

“’Spose.”  

   Four more large vans were parked near the Barton Square entrance to the Trafford shopping centre. One by one, they moved away towards the ring road. The vans passed Josh and his Mum to reveal a line dogs. They were sat, motionless, with their owners facing the main entrance doors.

“Look at the size of those dogs Mum, they’re hoooge”.

She felt Josh’s grip on her hand tighten as he pulled himself behind her arm.

   Josh had never shown fear of dogs before. They had a dog at home, a small crossbreed called Spud: a Cavachon that he adored. His Aunt Susan had a big clumsy Rottweiler called George that he and Spud would cuddle up to when they visited. Josh loved dogs.

 “Let’s go Mum. I don’t like it”.

   Josh and his Mum watched as the dogs and their owners calmly walked through the main doors and stopped, forming a neat line facing the main concourse.

“C’mon Mum, let’s go somewhere else,” said Josh as he tugged his Mum’s arm back. She turned and crouched down, still holding his hand. She kissed his cold, trembling knuckles.

“They’re just dogs Josh, look at how well behaved they are. You like dogs”.

“Not these ones, they’re—”. Josh’s pleas were interrupted by the first spine-stiffening scream.

 

Comments

It's a dash, because it's sudden and immediate. The ellipsis is a much slower form of break. Josh wouldn't trail off at the sound of screaming - he'd stop short.

It doesn't have to be a vocal interruption; anything that cuts you off abruptly mid-speech counts. It's the effect on the speaker that's being referred to by the punctuation, not the thing that cashed it.

Lorraine

Profile picture for user lmswobod_35472
Lorraine
Swoboda
1105 points
Practical publishing
Fiction
Crime, Mystery, Thriller
Historical
Romance
Autobiography, Biography and Memoir
Food, Drink and Cookery
Lorraine Swoboda
30/09/2015

Hi Lorraine, thanks so much for taking the time to give such comprehensive feedback. I've now printed off your 'A comma is not enough' blog and nailed it to my office wall. Hopefully I won't then keep misusing my punctuation. I think I just need to get it right then keep practising the correct use.

You're right, 'spine-stiffening scream' sounds a lot better.

One last (for now) question: Where I've used an ellipsis because Josh's speech does tail off, it tails off because a scream interrupts him, rather than someone else speaking over him. Does that need to be a dash?

Thanks again.

Profile picture for user rhinoinf_39871
David
Shoesmith
270 points
Ready to publish
Fiction
Business, Management and Education
Crime, Mystery, Thriller
Adventure
Media and Journalism
Speculative Fiction
Historical
David Shoesmith
30/09/2015

Hi David,

An interesting beginning - and the last line of Chapter 1 comes as a complete surprise. In ch2 you've taken us from evil to the innocent child - a good contrast.

Your chapters are short; so when you say your protagonist doesn't appear until Ch 4, it's not as far into the novel as would first appear.

You do have some problems. Repetition should be avoided unless it's done for a very good reason - not the case here.

‘May I approach…as he approached… as he approached’ - repetition

‘The Caliph sensed Fahim’s awkwardness…An awkward silence’ - repetition

'The Caliph sensed Fahim’s awkwardness as he approached.

“You seem troubled my friend”.' - this is a form of repetition: it's just another way of saying, ' The Caliph saw he was troubled. "You seem troubled" - it's clumsy.

enemy?” Said the Caliph – capital not necessary, though actually 'said the Caliph' is not needed at all, as we know who is speaking from what preceded it, and the fact that he names Fahim.

‘he continued’ – not necessary; it’s self-evident.

a murderer”, - the comma goes inside the inverted commas

‘in a voice mellowed by disappointment, replied:’ -if the speech were to continue on this line, and there is no reason why it shouldn’t, a comma would be used.

‘said the Caliph.’ – we know he is speaking – you’ve just told us; this is unnecessary.

‘…declared the Caliph’ – again, this is wrong – you’ve told us he’s speaking once already.

‘...bid farewell to his followers, “I leave…’ – comma is wrong. You need a fullstop after followers. ‘Bade’ is the past tense of ‘bid’.

‘Fahim’s chained, subdued form, hanging by the wrists from the steel joist as he walked past’ - put a comma after joist, otherwise it looks like Fahim is walking past while hanging from the joist.

copper coloured leaves – copper-coloured

Ash tree – ash tree doesn’t take a capital

Do you want indents or not? Choose one style and stick to it.

"Spose..."- it's an abbreviation, so should be marked as such. 'Spose - use an apostrophe to mark the missing letters.

'Josh’s Mum aimed the Volvo at the space as the van pulled out and gunned the big Volvo' - why two Volvos?

“Sick”, said Josh. - comma goes inside the inverted commas; same goes for all punctuation at the end of speech.

'As the vans passed Josh and his Mum, their eyes fell on a line dogs, previously hidden by the passing vans. ' - 'the vans passed...the passing vans' - repetition. a line of dogs.

'As the vans passed Josh and his Mum, their eyes fell' - whose eyes - the vans' ?

'His Aunt' - if it was his Aunt Mary, it would take a capital as it would be a title; here it's just a reference, like 'his friend' or 'his sister' and so doesn't.

'they’re…”' - this is an ellipsis, which is properly used to show that something tails off. If it's an interruption, use an em dash and no space.

You've missed a few commas, too, in odd places.

Worth going over your work closely, once you've got the story down in a first draft; but try to avoid the things I've mentioned here, as they trip the reader up and ruin the pace of the story.

Plotwise, it's looking fine, but watch your layout and your punctuation. The reading experience is about all of it - not just the story but the presentation too. For instance, the following lines as you have set them out mean that Josh is talking about zipping up his coat, but I think you mean it's his mother speaking.

'With one coat arm on and the other flung over his shoulder, Josh stepped out of the car as his Mum held open the door.

“Let me zip that up, it’s freezing”.'

In the last line, how about 'the first spine-stiffening scream'? It's a little tighter for a final phrase of a chapter.

Hope this helps.

Lorraine

Profile picture for user lmswobod_35472
Lorraine
Swoboda
1105 points
Practical publishing
Fiction
Crime, Mystery, Thriller
Historical
Romance
Autobiography, Biography and Memoir
Food, Drink and Cookery
Lorraine Swoboda
29/09/2015