“Just this last jump to move into the corner and then we can start to plant the trees.”
Gilbert took a firm grip of one end of the structure; Rhoda took the other. “And…lift!” she called. Together they carried the structure easily to the hedge and left it there.
Gilbert dug holes, Rhoda spread the tree roots, and Gilbert filled the holes with a mixture of soil and compost. Rhoda staked each tree carefully and watered it. They planted twelve trees, six apple trees, two cherry trees, two pear trees and two plum trees. The meadow would become an orchard and they would tend it together. It would bear fruit for them.
‘Maybe,’ Rhoda thought, ‘maybe by relinquishing my dream I’ll make it come true.’ She knew it wouldn’t.
They stood side by side in the late afternoon sunshine, and looked at their handiwork. The new trees were well spaced, leaving them plenty of room to grow. Gilbert and Rhoda hoped to see them flourish and mature. Beyond the newly planted orchard they could see the whips of hawthorn, damson and briar that would grow into a hedge, and beyond that was an electric fence to keep their two horses at the far end of the paddock.
Gilbert held Rhoda close. He kissed her tenderly on the mouth. Very gently she pushed him away. “We’d better go in,” she said. “I need to cook dinner, and you need to clean up ready for choir practice.” As they walked towards the house she slipped her hand into his.
“If the miracle happens, we can put the jumps up again,” said Gilbert.
Great Pinnerton Choral Society was a good choir, and Gilbert sang tenor with them. He was also the Secretary. His fair hair, blue eyes and athletic build had the more susceptible of the sopranos sighing over him; they knew he was safely unobtainable. Gilbert and Rhoda were a by-word for loving fidelity.
The choir was halfway through the vocal warm-up exercises when the door opened, and a man in a leather jacket entered. He made an apologetic gesture to the Musical Director, and stayed where he was, until the vocal exercises were finished.
“Have you come to join us?”
The man nodded. “If you’ll have me. I’m a bass.”
“Excellent. I’ll give you a short audition in the break. Would you like to sit next to Eric in the back row?”
Eric waved a welcome. Mavis, the society’s librarian, bustled round with a score. “You can borrow this for now, but please come and see me during the interval,” she instructed.
The new arrival, dark-haired, tall and muscular, grinned at everybody. His teeth gleamed very white in his sun-tanned face. “Thanks for the welcome, folks. My name’s Brendan. I’ll hope to meet some of you later.”
Violet, the oldest soprano, nudged her neighbour and giggled sotto voce. Gilbert glanced up at Brendan as he squeezed past to reach his seat. There was an energy about the man that was simultaneously unsettling and attractive. Brendan caught his eye, patted him on the shoulder.
“Sorry for barging through.”
Gilbert raised his hand in acknowledgement.
During the interval he went to greet Brendan; as Secretary he needed to record contact details. Besides, it was the polite thing to do. And, although Gilbert usually went straight home after the practice, this time he invited Brendan to join him for a beer in the Cutlers Arms.
As they started their second pints, Brendan pulled out his mobile.
“Let me show you something,” he said.
It was a video clip, an aerial view that plunged vertiginously to trees at least a hundred feet below. The camcorder panned through one-eighty degrees and showed a limestone cliff a mere twenty feet away, stretching down to the trees and up at least another hundred feet above the camera.
“I shot this video in a microlight in Cheddar Gorge,” said Brendan. “You sound like an active chap, Gilbert. Have you ever flown a microlight?”
Gilbert shook his head, and laughed. “The highest I ever go above ground is when I’m hacking cross-country.”
“Ah! Hunting, shooting and fishing, eh?”
Gilbert felt obscurely put down.
“Have you got the bottle for it?”
“I’m not sure I can be bothered to find out.”
“Well, if you fancy giving it a try, I shall be in Kemble on Saturday. I’m a qualified instructor. I’ll take you up in tandem if you like. Give me a call; here’s my card. And now, I’d better be off. Two pints is more than enough. I’m on the bike tonight.”
He covered Gilbert’s hand briefly with his own. “I hope I’ll hear from you.” The words were soft, almost a caress, and then Brendan was gone. Gilbert sat looking at his hand for fully twenty seconds, hearing again Brendan’s parting words, feeling again that odd, intimate, touch. Then he shook his head. He, too, should be on his way.
Come Saturday he was in Kemble, wearing both sweater and cagoul; Brendan had instructed him to come warmly dressed. He listened attentively to the induction talk, and then helped Brendan wheel the two man aircraft from the hangar onto the grass runway.
“Listen,” said Brendan. “This is important. For this first flight you are a passenger. All you must do is sit still; I’ll do everything necessary for the flight. You don’t need to try to move with me; that will only make controlling the craft more difficult. Just keep still, right?”
Gilbert nodded. “No problem.”
It was a glorious April morning, the cloudless blue sky scarred only by the contrails of airliners passing far overhead. The grass, short and even, glowed in the clear light. Brendan started the engine, which throbbed directly behind Gilbert. He felt the warmth of the sun on his shoulders, the slight cool breeze on his hands. The engine note rose in pitch and the craft began to move.
It reminded Gilbert of the first time he’d ridden a motorcycle, that sense of precarious balance, the speed of the ground passing beneath, simultaneously fast and slow. He looked up, ahead, past Brendan’s helmet. The speed was only about thirty miles an hour. And then the horizon dropped gently away and they were airborne.
They climbed slowly, in great circles. The rim of the world expanded. Gilbert saw a pigeon fly beneath them, flapping industriously from one rooftop to the next to join her mate. The wind was stronger and colder, and the fabric airfoil occasionally chattered slightly. The light of the sun perfused everything, dazzling when straight ahead, glinting off every reflective surface. Gilbert closed his eyes. He listened. He breathed the chill air. He felt. He lived.
When he opened his eyes again, he was surprised at their altitude. Cars on the motorway passed like coloured beads sliding on a thread. But even as he watched them, he realized that Brendan was taking their craft down. The engine note was quieter and less insistent. They were returning to the mundane world, with its problems and its grief and its toil. Gilbert wished that Brendan would climb again, take them ever higher until they reached the edge of the finite, the beginning of eternity.
Down they went, and now Brendan was bringing them towards the runway. Fifteen feet, ten feet, they were over the grass, the wheels were spinning, five feet, a slight bump, and they were on the ground, with Brendan taxiing towards the hangar.
They stopped, dismounted. Brendan looked at Gilbert. The corners of his mouth quirked up. “Good, eh?”
Gilbert nodded. “Stunning.”
“Same time next week?”
“I’ll call you. Thank you.”
Gilbert sat in his car, motionless, his mind filled with the bigness of the sky and the closeness of Brendan. He had wanted to touch him, wanted to hold him as they flew. ‘I love Rhoda,’ he thought. ‘That’s what love is, the feelings I have for her. I can’t love Brendan.’ And once the thought had been articulated, he couldn’t rid himself of it.
Eventually he drove home, slowly, carefully, letting the concentration purge his mind, letting the morning’s scintillating images dim and dull until he could safely examine them, talk about them to Rhoda.
Of course he went the next week, and the week after. He started lessons. At first, Rhoda enjoyed his new liveliness; he had been becoming restless and frustrated. She was glad that he had this new hobby. She took advice from friends and bought him a single man aircraft ready for when he qualified to fly solo. It was the best birthday present he’d ever had.
A few weeks later, when Gilbert arrived for choir practice, he was accosted by Mavis.
“I’m a friend of yours, right?” she demanded of him.
“A very good friend, Mavis.”
“Would you mind walking me home after choir practice tonight, and having a coffee?”
“It will be my pleasure.”
During the interval, he told Brendan that he wouldn’t be able to join him in the Cutlers Arms after the practice. Brendan nodded.
“Okay.” He looked disappointed.
As Gilbert escorted Mavis, he asked whether she’d had any trouble to cause her worry about walking home on her own.
“I’m worried about you, not me,” she replied. “Let’s be discreet, and wait until we’re indoors, shall we?”
Once indoors, Gilbert accepted a biscuit and quietly took a sip of his coffee. Mavis cleared her throat.
“So what’s going on between you and Brendan?”
“That’s very blunt, Mavis. What on earth do you think is going on? Brendan and I are friends.”
“My eye. You’re inseparable. And the way you look at him. It’s not just me, Gilbert. People are gossiping.”
“I can’t be responsible for other peoples’ vices. Brendan and I are friends, nothing more, nothing less. We go flying together at the weekends.”
“How much time do you spend with Rhoda at the weekends?”
“Mavis, you are a dear friend, but I really don’t think it’s appropriate for you to ask me that sort of question.”
“Someone needs to ask it, Gilbert. I’m Rhoda’s friend too, remember.”
“Do you think I’m neglecting her? She seems happy about the flying.”
“We’re not talking flying here, Gilbert. Have you introduced Brendan to her?”
“I’m sorry, Mavis, I’m not prepared to be interrogated like this.”
“Hmph! I thought not. I bet you haven’t even told her about him.”
Gilbert put down his cup on the coffee table and stood up.
“Mavis. I appreciate your concern for me and for Rhoda. I take it in the spirit in which it was intended, but I have to say it is misguided. There is nothing…improper between Brendan and me.”
That weekend, in the hangar after the flight, Brendan kissed Gilbert. It was not a long kiss, a mere brushing of the lips with a warm embrace. Gilbert pulled Brendan fiercely against him, then pushed him even more fiercely away.
“Brendan, this is impossible. I’m married.”
Brendan shrugged.
“There’s little enough joy in the world, Gilbert. Grab it while you can.”
“I have joy with Rhoda.”
Softly. “I’m glad for you; but I don’t believe you.”
“Don’t do that again, Brendan. Not ever. Or I won’t be able to see you at all.”
“That might be better anyway.”
“No, wait, I didn’t mean I don’t want to see you. I do want to see you. It’s just that I don’t want to betray Rhoda. But you’ve woken me up, Brendan. Something had died, and now it’s alive again. I don’t know what I’d do if I couldn’t see you again.”
Brendan crooked a finger.
“Come here, Gilbert. This won’t hurt you, or anybody else.”
He opened his arms. Gilbert looked at him. There was that little upward crease of the lips that he loved to see, the teasing, questioning recognition of his own identity that it implied. He slipped into the embrace, allowed Brendan to kiss him firmly. Then he stepped back.
“I must go, Brendan, I must go.”
“See you at choir practice, then. I hope you don’t get dragged off for more committee business afterwards; I enjoy our beer and chat.”
* * *
I've just finished typing a review on my laptop. I can't send from laptop to StupidPhone, so it'll be a few days before I can post it here: to long to type out on this tiny keyboard with my clumsy fingers.
Hi Sylvia!
Thank you for your comments, which are interesting and thought-provoking. I shall definitely make use of them as I revise the story. They are a valuable identification of the weaknesses in the story. Now I must find the smart ways to fix them without becoming prolix!
All the best
Penny
You need to do more work on scene building and characterisation. I counted at least six scenes here.
Scene 1- Gilbert and Rhoda. You need description of husband and wife in a field, outside their house, moving jumps. You also need to know whose point of view you are in. If this is Gilbert's story, I would stick with him, not move to Rhoda's point of view.
Scene 2 Choir practice. You need a description of the place and the other members of the choir. In practice there would be much moving of chairs, comparing scores etc.
Scene 3 in the pub. You need a description of the pub. Brendan's invitation to Gilbert feels very sudden and you need to convince us that a man who seems as macho as Brendan would combine flying a microlight with singing in a village choir. You need to build up to this invitation with more general chat.
Scene 4 Kemble. This is the best scene, because we can really see the microlight flight.
Scene 5 The conversation with Mavis. You need to give this scene a location. Mavis's cottage, with coffee- furniture, cats? You need to establish Mavis as a real person - a long standing family friend. I think Gilbert has every right to tell Mavis to mind her business, so the conversation needs to be more meandering, a gentle build-up to Mavis's warnings, rather than a lecture.
Scene 6 The hangar. Let's see the place - microlights and aeroplanes as a background to the embrace.