Heavy Bags

by Penny Gadd
1st March 2017

 

Heavy Bags

 

There were people everywhere.

 

Some were in families, some in tribes. Some were in uniform; many were not. There were a few smiles and some laughter; there were a few tears and wails; there were many shouts, of anger, triumph, and lamentation.

 

The people were walking, some slowly, some briskly. Some striding forward purposefully; many meandering; some marching busily in one direction, then changing course to tramp equally energetically in another. Gradually though, no matter how winding their path, they made their way due west.

 

And all but the smallest and youngest carried a bag, a hessian bag, a gunny sack.

 

I approached one of them, a woman about forty years old. Her hair was streaked with grey, and her face was lined. Her bag seemed heavy.

 

“I hope you don’t mind my asking – it’s nosey, I admit – but would you mind telling me what you’re carrying in your bag?”

 

She sighed deeply, and glanced inside the bag as though to remind herself.

 

“It’s grief for my mother. She died twelve years ago.”

 

“You would travel more easily without your burden. Why don’t you let go of it? Here, leave it by the roadside and go on without it. Nobody will mind!”

 

Tears welled in her eyes.

 

“Then I would have nothing,” she wept. “My grief is all I still have of my mother.”

 

I didn’t know what to say, and so I left her and approached another, a young man. His face was steadfast and his movements purposeful. He had energy and, maybe, humour. His bag was large, and looked heavy, but he was strong and made light of it.

 

“I wonder – it’s inquisitive I know – but would you satisfy my curiosity about your bag? What is it that you prize so highly that you carry it everywhere, even though it is so heavy?”

 

He stood tall, shoulders held back, and looked me boldly in the eye.

 

“I carry the expectations of my family!”

 

“Why not lay down the burden? Travel light. You don’t need to carry it; you can choose!”

 

His face stiffened. “If I did that, I would be saying that my parents made the wrong choice when they toiled all the hours of the day to give me a good start in life. I’m not going to do that!” Then, sheepishly – he was a young man after all – he added, “Besides, it’s not so very heavy. I can manage it.”

 

I wished him good luck, and looked around.

 

There! Over there! A meadow, where a young couple are playing with two children! Their bags are empty, and the woman has flowers in her hair!

 

She smiles at me as I approach, a merry, mischievous smile.

 

“You want to know why my bag is empty, I think,” she says.

 

There is a scent of roses in the air. The noise of the crowd is hushed, and I can hear birdsong and gently falling water. The children, playing with their father, laugh joyously as he tumbles them aloft and a-low.

 

The girl laughs with them, then turns to me. Her expression is serious, but bears the memory of her laughter.

 

“It was hard at first,” she admits. “I would take something out of the bag – pride, say – intending to leave it behind, and I would look at it. Out there,” and she gestures at the vast plain with its toiling figures, “pride can sometimes look quite attractive. And then I would put it back into the sack again! But eventually I realised that what looked like a big lump of pride was actually made up of lots of little bits of pride. It was easier to let go a bit at a time. And the more I let go, the easier it was.”

 

“It sounds okay,” I say, “but what happens if you throw something away that you later find you need on the journey?”

 

“That probably won’t happen. There are so many resources we can draw on. But, even if the lack of something brings your journey to an end, wouldn’t you rather travel here than out there?” Once again I look at the monotonous expanse, the grey figures struggling with burdens they can scarcely carry.

 

The girl can sense my hesitation.

 

“You don’t need to make up your mind all at once,” she says quietly. “A little bit at a time is all it takes. Go now! You need to see more.”

 

She holds up her arms as though to shut me out, and I trip and fall.

 

People barged into me, cursing. A heavy sack landed on my right arm, bruising it painfully. The man carrying it swore vilely at me.

 

“What’s so important about your sack?” I demanded.

 

“It holds the will to rule,” he snarled. “Honeyed words, lies, delight in others' pain, and the wish to wound. Now get out of my way!” He hauled the cumbersome bag onto his bull-like shoulder, his muscles writhing, his veins bulging, pulsing with turgid blood.

 

He barged past me. I watched him, this ox, this gorilla, this serpent, and I saw him stop. He held up his bag, and, with a great roar of frustrated rage and defiance, he tipped out the contents. Awestruck, I watched as they spilled out and broke into a million fragments, first chunks, then crumbs, then dust, until finally they were a mist that the lightest of breezes swept away. I looked back at the man. He had faded, was almost gone. And as he disappeared I realised that I could remember nothing about him.

 

As I gaze, and struggle to understand, I feel the lightest of touches on my arm. It is the young woman, only now she is no longer young. Laughter and love have left lines on her face, and her body sags where gravity’s pull has exaggerated the stretching of childbirth. She carries a small, empty bag.

 

“You see?” she says softly, “You see?”

 

The gentle air hints of roses in the twilight of evening. Birds sing merrily about a night that is just the prelude to a new dawn. With a laugh as merry as the birds, she shakes out her bag. There is nothing in it, but as she shakes the fabric it becomes silken. It glows white, crimson, emerald, azure. It grows and grows, stretching up and out as she holds it aloft at arm’s length, like a banner. The light grows brighter and brighter, until I can see only her face, her eyes and her smile; until there is only tranquillity and joy, great joy.

 

 

 

 

 

Comments

Thank you, Lorraine!

Ow, yes, barged! You know, I was aware of a clash there, but I couldn't spot what it was; thank you for picking it up.

I'm intrigued that you should feel that the happy ending is perhaps in the eye of the beholder. Whenever I'm writing about the woman I include birdsong, scent and colour, and write in the present tense, as opposed to the past tense for the rest of the story. The intention is that it should emphasise the reality of the experience.

I'm glad it had you thinking about the different burdens we all carry. That was its aim - so to that extent I've succeeded!

Your comments are vey helpful, so thank you again!

xx

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Penny
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Penny Gadd
01/03/2017

Allegory is fairy tale. It may look simple and obvious but it speaks directly to our subconscious, to our personalities. You wrote the story but you don't know what it means to others. Everyone who reads it looks inside their own bag. I could read it every day and my bag would have a different weight. It grabs you by the gut and asks you who you are, what you want to be and what are you going to do about it? It's a fable.

Besides that, it's just beautifully written.

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Victoria Fielding
01/03/2017

I like this, Penny, because it's far mroe complex than it seems.

We don't learn anything about the speaker; we have no idea what bags s/he carries. Everyone else carries something, except for the smiling family who have let go; though at the end the woman is alone, with only an empty bag, which echoes her empty body. She has no burden, but some burdens are a joy to carry, like her children - so has she really gained pure happiness after all?

The ones that the speaker asked about were all the sort of things that cause the greyness and the heaviness of life - but what about the other kind? It's a little too black and white.

The happy ending may all be in the eye of the beholder - in this case the speaker. On further reflection, maybe it's not so simple or so complete.

Try to avoid repeating 'barged', which jars a little.

Lorraine

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Lorraine Swoboda
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