The Witness

by Alex Leffer
29th August 2014

Extract from final draft (subject to testing and reader feedback).

The old man saw the figure cross the road; small, lithe and almost animalistic, their shabby clothes worn without regard for the season. He could not make out whether they were man or woman, child or adult, but he guessed by the quick movements that whoever they were, they were young enough. The man was not usually timid, but something held him back; the unusual time of day, perhaps, or something else.

A small terrier dog trotted happily beside the old man and did not seem to notice the figure, her interest lying firmly within the new smells of the early morning. The small dog was now quite accustomed to these early morning strolls as once again, unable to sleep, the man sought to rid himself of the myriad nocturnal ruminations that disturbed his peace. It was still dark with no hint of the subdued glow of morning, and very cold, the coldest morning of the winter yet, the man guessed. In the little Dales village it was, he thought, particularly dark and unnaturally still as though the new day had somehow not yet emerged leaving this dead space in its place. He always took the same route; from the village centre down to the railway station and then the same way back to his home. There were plenty of better walks and it was a route he took only when he could not sleep, something about the unchanging nature of the railway pleased him and it had now become routine, like so much else in his life. He had noticed the figure from a little way off hunched under one of the few streetlights and he at first thought that they might have been benighted there and were waiting for the first train of the day. As he drew closer it was apparent that it was not a walker for there was no bright Gore-Tex and no rucksack that he could see. The figure appeared to have found a way of hiding within the bright glow of the light, each shadow seemed carefully arranged to mask the exact form and features and his instinctive concern for the stranger quickly turned to suspicion and fear.

From his safe distance he peered into the pool of light, searching for features that would identify the person and ally his fears. But the stranger remained hidden and the more he struggled to see the more the shadows curled their camouflage around. Despite this he could see that the stranger was occupied with something and whilst he could not say for certain he thought they might be using the streetlight to read by. The person was hunched and their body pulled together upon a single point that could only be a book or paper. Whatever it was and whatever they were doing it absorbed them completely and the man took a step closer.

He was sure that he had not made a sound, but something must have broken the silence. The figure froze for a second, then quickly turned to face the threat that approached. The man froze as the stranger saw him, caught as the sneaking voyeur lurking in the shadows he tried to speak but the words did not come. The stranger studied the man for a few seconds as though weighing up the worth of a potential prey, their head cocked to one side. Seized by fear the man was paralysed in the strangers glare, something about this person roused within him a sense of danger he could not recall ever before experiencing. His mouth hung open in a mute plea for mercy, certain that something terrible awaited him.

And then it was broken. The figure jumped up, slipping from the glow of the streetlight into a fading shadow that was quickly gone, absorbed into the pitch darkness of the winter morning. A few moments, barely a minute, maybe two, it was impossible to say. From the moment the man had seen the figure everything normal fractured and it was somehow impossible to grasp the whole. If he thought about how long he had been standing observing the stranger, he could not think of the person he had seen and if he thought of the person he could only fix upon small details, never the whole. He had seen the face, stared directly into it, but could not recount whether it was young or old, male or female. And then, from within the recesses of his mind he thought that he could see the face, perhaps just a glimpse, but always came the sickening dread and he would shake his head to rid his thoughts of what he knew to be false.

He unthinkingly walked to where the figure had sat beneath the street lamp, his mind still reeling from the peculiar encounter that even now, only a few seconds later, seemed to dwindle into unreality. Beneath the street lamp, lying on the pavement, dry and fresh, was a small square of folded paper. The old man paused, knowing that it must have belonged to the stranger who was already disintegrating in his memory as other familiar forms and faces filled the space in his mind. He looked around furtive, afraid and quite unsure as to whether to leave this artefact to the damp air or to retrieve it and forever nail this moment in his memory. The morning was perfectly still, no shadows, no figures watching him, just the cold dark air and yet he felt as though the whole world watched and waited with baited breath to see him act. As quickly as his years would allow, he picked up the small piece of paper. It was thick having been folded many times, and already it was absorbing the damp of the air. He did not open it, but thrust it deeply into his pocket and as quickly as he could he made his way back to the safety of his home, keeping his companion close and always looking back, certain the stranger would come to reclaim what was theirs.

Comments

Hi Alex, thanks for sharing this.

You take us instantly into the scene; an insomniac man and a dog walk their customary route in the very early morning, and encounter something out of the ordinary which gives the man pause.

You have a good sense of the man's uncertainty, and of the alien nature of the creature. Animal in behaviour and posture, nevertheless it appears to be able to read. It drops its paper as it scurries away, and the man pockets it.

You have to be careful of two things in particular: repetition, and punctuation. For example, 2nd para: the early morning; these early morning strolls; glow of morning; coldest morning. All these occur within 3 lines.

4th para: the figure froze; the man froze; and paralysed is another way of saying frozen.

5th para: A few moments; From the moment

'There were plenty of better walks and it was a route he took only when he could not sleep, something about the unchanging nature of the railway pleased him and it had now become routine, like so much else in his life.' You need either a full stop or a semi-colon after 'sleep' - the following clause has its own verb, and should be separated from the first by more than a comma. This is a problem you have throughout the piece.

'The man froze as the stranger saw him, caught as the sneaking voyeur lurking in the shadows he tried to speak but the words did not come.' That comma is useless, and undermines what could be a powerful sentence. Written as it is, it makes little sense. Try this:

'The man froze as the stranger saw him. Caught like a sneaking voyeur lurking in the shadows, he tried to speak; but the words did not come. '

I have issues with the 3rd para. 'the stranger remained hidden...Despite this he could see...' If you want to show what he sees, don't tell us he can't see it and then change your mind. Either he can or can't.

Also, a figure hunched over could be rolling a cigarette, searching through a purse, doing any number of things: but you tell us that 'whilst he could not say for certain he thought they might be using the streetlight to read by. The person was hunched and their body pulled together upon a single point that could only be a book or paper.' You're stating a fact that isn't a fact, just because it fits your story. You need to change the wording here.

One other point: having introduced the dog, she then disappears completely from our view. Yet in the circumstances one might expect the animal to read her master's responses, even if she can't see the creature herself. There has to be a point in her being there. We already know that the old man walks early because he can't sleep, so the dog is not strictly necessary. In the last line you refer to her as his companion, but we've forgotten her presence by then, so perhaps you should have 'canine companion' instead.

My advice is to read your work aloud. You'll pick up repetitions, and you'll see where commas aren't enough. Punctuation is there to signal the natural rhythms of speech, and each symbol does a specific job. Listen to your words, and you'll see the difference.

Yes, I'd like to read more of the story; but have another look at your mss and see if you can tighten it up.

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Lorraine
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Lorraine Swoboda
30/08/2014

Terrific work, Alex. The story moves forward at almost agonizingly small increments, and yet they are linked and paced well enough to keep the reader from jumping ahead.

One of my favorite things to do with this type of work, is to look carefully for inconsistencies. Writing at this pace can be very tough, as the author breaks the momentum to create the external environment surrounding the action. Then, when the action resumes it is easy to have lost your place. You manage to meld the world seamlessly with the action. Well done!

I also always appreciate a well placed bit of humanization in the non-human elements around the character. Your small bit of attention on the dog's view, and the explanation of the reluctance of the day to come forward is excellent. It adds to the sense of tension.

The only negative I see is that the piece is written at a very high level. Some of the words and phrases are a bit more eloquent than they need to be. A little simplification can make the story much more comfortable to read (although personally, I enjoy reading this level, it has a "Poe" quality to it). Simpler reading equals larger target audience. :-)

Overall, I'd love to read more of this story. Keep up the great work.

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Timothy Kaplan
30/08/2014